The Night Circus was, in a word, stunning. It is not often that you come across such vivid prose, and I quickly found myself lost in this mystical world. Truthfully, Erin Morgenstern's prose is so beautiful, I find the prospect of writing a response to such work intimidating, as anything I write could hardly do justice to her masterpiece. But first, to the plot.
![]() |
| This is the illustration found on the UK cover. I must admit, I prefer it to the USA cover. |
The content of the book was everything I could hope for in a novel. I love a good romance, and I love a a world where what would be considered "supernatural" or "magic" on our plane of existence is part of everyday life. Granted, the circus is able to succeed as an elaborate illusion precisely because the laypeople who wander through it's gates are ignorant of such forces, but for those characters around whom the story revolves, manipulating magic is as natural to them as breathing. And if these two elements where not enough, there is an underlying pursuit of knowledge and love of books that drives many of our main characters. Since this is something I relate too, it's just one more thing Morgenstern has given me to love about this book. Consequently, my favorite chapter was "Stories," where the grey man has those beautiful monologue on the history of stories, how they've changed over the years, and why we still need them. If the quotes weren't so long, or if I could find an image of them, I'd include them here, it's that beautiful.
That being said, I agree that the romance seemed to blossom too late in the novel. I certainly saw it coming, and the constant interruptions to that plot line often left me angry. While I could appreciate the story of Bailey and the twins, more often than not I wanted to skip ahead until I was able to read more about Celia and Marco's developing passion. Perhaps, should I re-read this novel in the future, I'll attempt to read each individual storyline in a more linear fashion, skipping ahead and reading a single character's story straight through. It would certainly provide a different perspective.
It's interesting that the timing of the novel proved to be such an issue for you. I, like you, consider myself to be a lazy reader, but that being said I had no problem orienting myself in the different time frames. Perhaps it is because I am lazy and don't pay enough attention to the time period that it didn't cause me any problems (and when I did try, I simply forgot when the last chapter was, and where that lay in comparison to when I was then). Maybe one day we should revisit this novel, and you can read it chronologically while I follow specific narratives, and then compare notes once again!
Alas, I'm almost out of space! So I'll be quick. Like I said in my opening, I fell in love with Morgenstern's writing. For some authors, the challenge of describing such a unique and interesting world would be too much. Yet Morgenstern, like Marco, is able to create a flawless illusion, and I instantly felt like I belonged in that world of awe and wonder. Truthfully, though the movie rights for her book have already been sold, what I'd like best is to see this reproduced as a graphic novel. Her universe is that of an artist, and I feel it could only be done justice on a two dimensional plane, where a collaboration of artists could bring life to her surreal world (just as the collaboration of Marco and Celia brought life to her circus!).
Now, I shall close with a few parting links to some fan sites. Enjoy the pictures! I certainly did :)
![]() |
| From the blog, "A Touch of Crimson" |
![]() |
| A fansite with links to a Pintrest board dedicated to the book. |
I can't wait until our next letter!
Keep Calm and Read On,
Becca
PS~ I am not a big Dickens fan, neither have I read Water for Elephants, hence my lack of response on those two subjects!





